Fine Art Landscape & Wildlife Photography

Some mornings the earth shows off for no one.

Limited edition fine art photographs, made by hand in acrylic, metal or canvas. Signed, numbered, and printed at a size you can walk into.

Walk the collection → Try it on your wall
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The Work
Fifteen years, five continents, and a refusal to settle for anything less than perfect.
0Frames that survived the edit
0Prints, and then the plate is broken
0Years of constant exploration
“Getting up close you can even see the glints in their eyes. Truly a masterpiece.” Adam C., collector · more from collectors

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The Collection

237 more, and one of them is the one.

Sample every photograph here. Put one on a wall in five real rooms, or on a photograph of your wall that you are standing in front of right now. Before you spend anything, see it at full size. Take it in your hand, move it where you want it, double-click to set it back to center.

The selected photograph, shown hanging at true scale
Drag the piece to reposition
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Showing —
Preparing the room…
Every photograph —

Press any of them to hang it here. The room, the wall width, the material and the size all stay exactly where you set them. Arrow keys work too.

On the wall above

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Edition—
Shown in—
At this size—
This one, this size — Signed, numbered, ready to hang
See all 237 →

The strip under the room holds all 237 of them, and nothing you have set up is lost by trying another one. The collection page adds color and budget to the same filters.

Room
Material

Size
Wall width
12 ft

Give it the true width of your wall and every size below is drawn to real scale against it. Guessing here is how people end up with a piece that looks lonely.

Your own wall
How It's Made

Three ways to hold the light.

Everything is made to order by real craftsmen here in the United States. Each timeless piece arrives ready to hang that very afternoon.

See all 237 → Try one on your wall

The same photograph, two ways.

Left
Right

This is a simulation, not a photograph of the print. Acrylic is known for the deepest blacks and the best color rendition. Every step down changes the overall look of the image. Everything I create is meant to be shown on an acrylic medium. Metal is going to be the closest material in terms of reproduction, whereas canvas will always mute the overall colors. The size of the step is exaggerated on purpose so you can see which way each finish moves. The difference in a room is real but gentler than this, and no screen can show you an anti-reflective surface. If the choice comes down to two, write to me, and I’m happy to help.

Collectors

Where the work ended up.

The only part of this site I cannot write myself.

A wide black and white print of a bison herd above a collector’s lounge room
An acrylic print of an Amsterdam canal at blue hour, hung on a collector’s wall A black and white print of ironwork seen from below, hung in a collector’s games room
A tall acrylic print of a slot canyon on a collector’s stairwell wall
Adam C. Collector

Every time we walk past our lounge room we see this incredible portrait of wild bison. We wanted something subtle and impactful and oh wow did this photograph deliver. It may not look like it in the photo but this print is almost 10ft wide. Getting up close you can even see the glints in their eyes. Truly a masterpiece.

Jon B. Collector · two prints

We are always amazed by the depth of color in these photos and how exceptional they look in large format. We could not be happier with both images and the statement they make. Looking through the new gallery, and having followed Justin’s adventures since he was a young artist, we continue to be impressed.

Stacy E. Collector

We get so many compliments on it. It’s right near our entry and it’s very impressive. Our wall is enormous. Finding a piece that filled the space was harder than I thought until I found Justin’s gallery.

On somebody's wall, not on a white background.

Every photograph on this site is shown the way I made it. What it looks like above your sofa, in your light, at seven in the evening. That is a different picture, and the only people who can show it to you are the ones who already live with it.

If you have one hung up, send me a photograph. I would love to see it and share it. Thank you so much for supporting The Art of Travels.

Send me yours →
Contact

Tell me about the wall.

A piece you keep coming back to. A size you cannot settle. A commission. A room that has defeated you twice already. These reach me, and I am the one who answers them.

This lands in Justin@theartoftravels.net, and is usually answered inside two working days.

Currently traveling

I am frequently somewhere with no signal at all. If a reply takes a few days, that is nearly always the reason, not that your letter went unread.

Browse prints →