It started in Yosemite Valley.
I was born in Los Angeles. The thing that set all of this going was standing in Yosemite Valley as a kid and then finding Ansel Adams' work afterwards — the realisation that somebody had gone and stood in that exact cold and brought it back, and that this was a thing a person could decide to do with their life.
Then Europe in 2015, alone, with a bag. Then Alaska — fifteen thousand miles of it, tracking grizzlies and photographing country that most people will only ever see in a frame. Then the slow realisation that the pictures I wanted were always another week further in than I could get to, and that what I actually needed was not a better lens. It was somewhere to live while I waited.
Mother Nature is the greatest fine art artist there has ever been. I am not doing anything clever. I am going to where she is working, standing there long enough to be shown something, and bringing back what I can.
There is one more sentence under all of it and it is not mine. “Do the things I can’t do.” That was said by a friend who is no longer here, and it is the statement that took me on this adventure — to share it with people who may never get to see the world themselves. It is also why any of this gets published rather than just kept.
The prints pay for the fuel. The fuel gets me to the next one.